To my knowledge, there are no other games like it where the music is focused so entirely on one instrument while still featuring a wide variety of songs eliciting different emotions ranging from sadness to excitement. Yet, here is a bright young woman who is kind and caring for everyone she meets, and at the same time she has resigned herself to her own impending fate. There is always an end goal and you rarely feel as though you are actively trying to put someone in jeopardy. In most RPGs, your goals are always clearly hopeful. This is even from the first meeting with Setsuna where it is revealed that Endir’s new goal is to escort this young woman to her death. Regardless of your choices, the game consistently follows one theme: sadness. A boy recounts his tale of his friend committing suicide in the lake. This really just detracted from the experience and would have been better had these dialogue choices simply not been included in the game. Everyone will ignore you, and the story carries on as normal. Whether it is choosing to kill Setsuna or to leave a person being attacked to their fate, you are simply unable to progress with the “bad” option. However, if you choose the option which does not fit the predetermined story, then your choice is shrugged off by the group and ignored. Occasionally, you will be given choices about whether or not to take certain actions. Generally, these will have minor differences and just give you a little more control over the dialogue. Every time Endir speaks, you are given one of two dialogue options.
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